THE INTERRELATIONSHIP BETWEEN FASHION AND PSYCHOLOGY: AN AVANT- GARDE GARMENT INSPIRED BY DEPRESSION

Authors

  • Sanja Risteski Faculty of Technology, Goce Delcev University, Stip, North Macedonia
  • Slagana Petrova Faculty of Technology, Goce Delcev University, Stip, North Macedonia

Keywords:

self-expression, identity, emotions, personal style, circular economy

Abstract

Fashion can be understood as a mechanism of self-expression through which individuals articulate their values, identity orientations, and sense of individuality. At the same time, it functions as a means of social signaling, enabling the communication of social belonging, cultural heritage, and political views. Empirical research (practice-based research) indicates that clothing choices influence cognitive and behavioral processes, including self-confidence, perceived competence, and decision-making. This suggests that fashion has the transformative potential to shape subjective psychological experience. Fashion should therefore be viewed not merely as a visual or material practice, but as a complex psychosocial phenomenon that shapes individual behavior, self-presentation, and social interaction. It represents an important tool for self-identification and social communication, with a significant impact on psychological well-being and personal development. Fashion can be understood as a complex system of communication that extends far beyond the material dimension of clothing. It functions as a form of personal and social expression through which individuals construct and communicate their identities, strengthen their self-confidence, and position themselves within a social context. Practices such as color analysis, which enable the identification of shades that correspond with an individual’s physical characteristics, can significantly influence emotional well-being and psychological comfort. Furthermore, dressing in accordance with one’s body shape can contribute to a more authentic sense of self and the development of a more coherent and positive body image. The development of a personal style also represents an important mechanism for shaping identity and maintaining emotional stability throughout different stages of the life cycle. Asking whether clothing can modify the way individuals feel, behave, and communicate with others creates an opportunity to explore the social and psychological dimensions of fashion. This suggests that a conscious approach to clothing selection can foster creative potential, enhance self-confidence, and contribute to a richer social experience. Although fashion is often treated as a trivial or superficial domain, contemporary research demonstrates that its effects are deeply rooted in psychological processes. Clothing functions as a symbolic medium through which individuals communicate their values, status, and personal aspirations. It can simultaneously serve as a tool for social adaptation and resistance, as well as a mechanism for self-protection and self-affirmation. Research in the field of fashion psychology highlights the interaction between clothing, emotions, cognitive processes, and behavior, emphasizing that fashion represents a form of self-presentation imbued with intention and meaning. The relationship between psychology and fashion represents a complex interplay of personal, social, and cultural factors

References

Димитријева, В., & Ристески, С. (2017). Креирање на облека. Штип: УГД.

Breward, C. (1995). The culture of fashion: A new history of fashionable dress. Manchester University Press.

Crane, D. (2000). Fashion and its social agendas: Class, gender, and identity in clothing. University of Chicago Press. https://press.uchicago.edu/ucp/books/book/chicago/F/bo3777018.html

Entwistle, J. (2000). The fashioned body: Fashion, dress and modern social theory. Polity Press.

Festinger, L. (1954). A theory of social comparison processes. Human Relations, 7(2), 117-140. https://doi.org/10.1177/001872675400700202

Giddens, A. (1991). Modernity and self-identity: Self and society in the late modern age. Stanford University Press.

Goffman, E. (1959). The presentation of self in everyday life. Doubleday.

Hebdige, D. (1979). Subculture: The meaning of style. Methuen.

Hester, N., & Hehman, E. (2023). Dress is a fundamental component of person perception. Personality and Social Psychology Review, 27(4), 414- 433. https://doi.org/10.1177/10888683231157961

Jordeva, S., Zhezhova, S., Golomeova, S., Risteski, S., & Dimitrijeva-Kuzmanoska, V. (2024). Final quality control of shirts. 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry - CT&ITI. Belgrade.

Kaiser, S. B. (2012). Fashion and cultural studies. Berg.

Muthu, S. S. (2022). Sustainable fashion and textile recycling. MDPI.

Risteski, S. (2018). Design and performance of clothes for special purpose. Goce Delcev University, Stip.

Risteski, S. (2018). Историја на облека-практикум. Штип: Универзитет" Гоце Делчев".

Ристески, С. (2025). Дизајн и креирање на женска облека, p. 10. ISBN 978-608-277-129-8. Штип: УГД.

Risteski, S., & Srebrenkoska, V. (2020). Appearance of protective clothing over the centuries. Tekstilna industrija, 68(4), 38-48. doi: 10.5937/tekstind2004038R

Risteski, S., & Srebrenkoska, V. (2020). Textile waste from confection industries and possibilities for its recycling. Tekstilna industrija, 68(4), 77-82.

Risteski, S., & Srebrenkoska, V. (2021). Fashion in a time of Pandemic. Časopis Tekstilna industrija, No. 3.

Risteski, S., & Srebrenkoska, V. (2020). Impact of the type of cutting layout on the consumption of textile material. Savremeni trendovi i inovacije u tekstilnoj industriji. Belgrade: Union of Engineers and Textile Technicians of Serbia, Belgrade, Serbia.

Risteski, S., Srebrenkoska, V., & Zhezhova, S. (2017). Applying of different fabrics for design of the protective military clothes. Quality of Life, 8(1-2), 56-63. Pan-European University APEIRON, Banja Luka, Bosnia and Herzegovina.

Rocamora, A. (2017). Mediatization and digital media in the field of fashion. Fashion Theory, 21(5), 505-522. https://doi.org/10.1080/1362704X.2016.1173349

Simmel, G. (1957). Fashion. American Journal of Sociology, 62(6), 541-558. https://doi.org/10.1086/222102 (Original work published 1904)

Zhezhova, S., Jordeva, S., Golomeova, S., Risteski, S., & Dimitrijeva-Kuzmanoska, V. (2023). Final control of men's shirts. VI International scientific conference Contemporary trends and innovations in the textile industry. Belgrade: Union of Engineers and Textile Technicians of Serbia.

Zhezhova, S., Risteski, S., Jordeva, S., & Srebrenkoska, V. (2022). Medical textiles, possibilities and challenges. Zbornik radova Naučna konferencija SANUS 2022.

Downloads

Published

2026-10-06

How to Cite

Risteski, S., & Petrova, S. (2026). THE INTERRELATIONSHIP BETWEEN FASHION AND PSYCHOLOGY: AN AVANT- GARDE GARMENT INSPIRED BY DEPRESSION. KNOWLEDGE - International Journal , 78(3), 339–344. Retrieved from https://ojs.ikm.mk/index.php/kij/article/view/8604